In this lavishly illustrated study, Henry Ginsburg describes a wide range of Thai manuscripts and other documents in European and North American collections, discussing each in its religious and historical context. The book extends and expands on the author's previous work "Thai Manuscript Painting", which was an introductory survey of the main types of painting, based primarily on British Library material. Since then many superb illustrated manuscripts, a number of them with dated colophons, have come to light in Western collections. The new manuscripts alter our understanding of the subject, and this important new study includes dated examples from 1797 through the end of the 19th century, enabling us to accurately define the development of style.